“The Past Stops Now” is a survey of paintings and drawings from 2008 to 2021 by Peteris Ciemitis
This exhibition deals with the effects of societal and technological change on behaviors and psyches, particularly the part runaway change plays in generating a background anxiety which has become commonplace today. Rather than simply depicting the outward effect of these changes, the works focus on our internal state, and our loss of groundedness.
In March 2020, Peter Ciemitis celebrated winning the second prize in the 2020 Collie Art Prize; a $5,000 prize including an exhibition at the Collie Art Gallery in 2021.
The prize was recently created by the Shire of Collie, after investing in building one the State’s most recent A-Class galleries; the Collie Art Gallery. To match the vision of building a National standard gallery, the Shire went on to create a National Art Prize to go with it. The 2020 Collie Art Prize attracted approximately 400 entries from around Australia, and appointed the highest calibre of national judges to select the winners.
There is no greater honour than to be selected as a prize recipient by an erudite and eminent panel of judges: Carl Altmann MA, Emeritus Professor Sasha Grishin AM, and Ted Snell, AM, CitWA.
The Award winners were:
1st Prize ($50,000) Mary-Lynne Stratton for her work ”Ranges around Ross River NT”
Equal 2nd Prize (each $5000 plus complementary exhibitions at the Gallery) WA artist Peteris Ciemitis for his work ‘ES+ID’ and
Queensland artist Brian Robinson for his lino print ‘Bedhan Lag: Land of the Kalwalagal’.
3rd Prize ($4,000) Olga Cironis for her work ‘Breath’
Packers’ Prize Cameron Richards for his work ‘Miss Priya Premkumar’
Congratulations to fellow award and highly commended recipients, and all finalists shortlisted in this major Regionally based and Nationally significant art prize.
7 to 19 June 2019, Kent Street Gallery, East Vic Park
In 2018, Jillian Ciemitis went to Assam and Bangladesh, and was entranced by the depth of humanity, dignity and unity in a region known for its challenges.
Often under high security, Jillian photographed hundreds of Assamese and Bangla peoples. This exhibition of natural and posed photographs of women, men, families and friends present and insightful examination of nuanced domesticity, and gender relationships.
The Latvian word kopā means ‘together’, or ‘in unison’. So it was fitting that participating artists Jillian and Peteris Ciemitis jointly produced a body of work for a show with that same name; “Kopā” – an exhibition of art by Baltic-Australian artists.
Taking out an entire upstairs gallery at Moores Contemporary Art Gallery in Fremantle Australia, Jillian and Peteris Ciemitis have a joint showing that explores the fading ripples of the post-war diaspora that fled northern Europe in 1948.
Jillian Ciemitis’ series “Occupation” is a dark ‘noir’ exploration of the impact of Soviet occupation of Latvia, both in terms of physical trauma and displacement, as well as the echoes of psychological impact. These dark images are counterpointed by a contemporary constructed memory of Latvian culture in “Kokle”.
Peteris Ciemitis examines the relationship between a ‘Latvian self’ and the willful subconscious identity in “ES+ID”. These themes are touched on further a series of pen and ink sketches the “Portret” series, which amongst other things, features one of the working drawings of Peter Greste (- a sketch that was undertaken following a sitting with Greste which led to a series of major paintings that now have a variety of homes, from the offices of Amnesity International in Sydney, to the Qiajiang International Museum of Art in China).
Jillian Ciemitis and Peter Ciemitis both participated in the inaugural Culture and Arts Festival in Sivsagar in February 2018, along with Vittorio Tonon, Maria Balea, Tone White, Maneswar Brahmaand our Arts overseer, Utpal Barua.
As well as a host of international visual artists, the four day festival featured a vast array of musicians, dancers and performers (including the Deputy Commissioner, Narayan Konwar).
Peteris Ciemitis proudly formed part of the line-up of the State’s leading portrait artists in the “Skin Deep” exhibition opening at Moore’s Gallery Friday 9 March 2018.
‘Skin Deep 2018’ was the fourth annual exhibition by the WA Portrait Artists Association which comprised over fifty portraits by the fourteen participating artists whose work ranges from small to very large, from photorealism to expressive interpretations. The exhibition presented a diverse range of concepts and techniques representing contemporary portraiture at its very best.
This year, the exhibition also included a secret room; “Hidden”. What was there?
Currently, one third of the world’s Biennales take place in Asia, with the first being the Tokyo Biennale in 1952. However, it is the Asian Art Biennale in Bangladesh, a breakaway in 1981, that remains the oldest in the region, now in being held for the 18th time. Its also a Biennale in which Australia has had patchy presence. Until now.
The Australian artists to be included in the 18th Asian Art Biennale Bangladesh are west-coasters Jillian Ciemitis, Peteris Ciemitis, Judy Rogers and Monique Tippett.
The Biennale is based in the National Art Gallery, Dhaka and opens with official formalities on September 1, followed by two days of Symposia exploring the topics of “Between Art and Narratives” and “Pedagogy and Promotion”.
A Survey of Contemporary Western Australian Printmaking
Jillian Ciemitis screen print Pinnacle was on show at the Mundaring Arts Centre as part of the 26 S 121 E On the Map a Survey of Contemporary West Australian Printmaking. Featuring the work of 35 West Australian printmakers. Curated by Laura A Taylor.