7 to 19 June 2019, Kent Street Gallery, East Vic Park
In 2018, Jillian Ciemitis went to Assam and Bangladesh, and was entranced by the depth of humanity, dignity and unity in a region known for its challenges.
Often under high security, Jillian photographed hundreds of Assamese and Bangla peoples. This exhibition of natural and posed photographs of women, men, families and friends present and insightful examination of nuanced domesticity, and gender relationships.
21 September to 7 October 2018
The Latvian word kopā means ‘together’, or ‘in unison’. So it was fitting that participating artists Jillian and Peteris Ciemitis jointly produced a body of work for a show with that same name; “Kopā” – an exhibition of art by Baltic-Australian artists.
Taking out an entire upstairs gallery at Moores Contemporary Art Gallery in Fremantle Australia, Jillian and Peteris Ciemitis have a joint showing that explores the fading ripples of the post-war diaspora that fled northern Europe in 1948.
Jillian Ciemitis’ series “Occupation” is a dark ‘noir’ exploration of the impact of Soviet occupation of Latvia, both in terms of physical trauma and displacement, as well as the echoes of psychological impact. These dark images are counterpointed by a contemporary constructed memory of Latvian culture in “Kokle”.
Peteris Ciemitis examines the relationship between a ‘Latvian self’ and the willful subconscious identity in “ES+ID”. These themes are touched on further a series of pen and ink sketches the “Portret” series, which amongst other things, features one of the working drawings of Peter Greste (- a sketch that was undertaken following a sitting with Greste which led to a series of major paintings that now have a variety of homes, from the offices of Amnesity International in Sydney, to the Qiajiang International Museum of Art in China).
© ‘Kokle’ 2018 photograph Jillian Ciemitis
March 16 – 26, 2010
Jillian and Peteris Ciemitis bought a collection of works described by the Sydney Star Observer as “extraordinary and personal portraits” to the Depot II Gallery in Waterloo, Sydney. The exhibition, “Es” (“self” in Latvian) and “Id” (primitive subconscious) aimed to stir ideas of unsettled emotional undercurrents. The exhibition was opened by Nick Vickers (Director of the Alumni Gallery, University of Sydney) opened to a gathered audience of over a hundred attendees.
DEPOT II GALLERY, 2 Danks Street, Waterloo, Sydney, NSW
photograph by Jillian Ciemitis
December 5, 2009
The exhibition, “Displacement and Belonging” opened by Diana Warnock on December 5, features work by Peteris Ciemitis, Lidija Dombrovska-Larsen, Selga Esots, Indra Geidans, Maija Kins, Garielle Mazalevskis, Maris Raudzins, Lolita Skye-Lark, Arvids Sodums and Len Zuks. “Critically acclaimed for his luminous portraits, (Ciemitis) also showed landscapes on paper” (Lyn DeCiero, Artists Chronicle, Issue No 130)
Moores Building Contemporary Art Gallery, 46 Henry Street, Fremantle
December 5 to December 18, 2009. Daily: 10am to 5pm
© ‘Bella’ photograph Jillian Ciemitis
November 6, 2009
Max Pam opened the graduate photomedia exhibition at Spectrum Project Space, Highgate on November 6, 2009. Covering a range of contemporary photomedia, the exhibition featured recent photographs, including ‘Bella” by Jillian Ciemitis.
March 30, 2009
Jillian Ciemitis has received third prize in the open category of the Vincent Photographic Awards. The work “Messenger of the Deep” presented poetic, ballet-like interpretation of a waterpolo match at the historic Beatty Park Aquatic Centre.
© ‘Sax’ photograph Jillian Ciemitis
January 22, 2009
Jillian Ciemitis’ first solo exhibition broke attendance records for the Ellis House Gallery in Bayswater, Western Australia. Cited as “being reminiscent of a contemporary Decarava” (Andrei Buters, Perth Voice, 24/01/09), the work attracted extensive aclaim and interest.
The exhibition presented contemplative black and white narratives, counterpointed with reflective images of world renowned Jazz saxophonist Troy Roberts and blues legend Matt Taylor.